I discuss the bass performance of Audyssey, Dirac Live, Dirac Live Bass Control, Dirac Live ART and Multi-Sub Optimiser.
The Mic Positioning Adapter is used for the Tight and Mid mic-patterns in Secrets of Audyssey and YPAO - The Lost Manual.
Audyssey is already planning the next round of features for MultEQ-X. Here is a list that we are aware of.
I go through the process I took to configure my Cinema 50 for Equal-Loudness Curves with Dirac Live. You can do the same with your Denon or Marantz AVR.
I investigate whether directional bass makes sense in the field of home cinema, and whether it points to another feature coming down time.
I take a look what the difference between the Marantz Cinema 40 versus Cinema 50 and if the Cinema 40 worth the $1000 extra cost.
I give you my impression of Krix's MX20 "Wall of Sound" system, as well as tell you about its limitations and what we might do about it.
Dirac Live will allow you to plug the UMIK-1 USB calibration microphone directly into the AVR, if you so wish, as opposed to the laptop or PC that Dirac Live is running on. As far as I understand, this is a first for Dirac Live! UPDATE 9 Jun 2023: Even though the manual does not... Continue Reading →
MultEQ-X Pro is a software package that's available for A/V businesses and installers, as opposed to MultEQ-X that is consumer-oriented. While MultEQ-X Pro has been around for 6 months or so, if you new who to email to request access, Audyssey is officially launching the program across the board today, 14 March 2023. The following... Continue Reading →
I finally review MultEQ-X and tell you what I like and not like about it. You can also trust me to break it while I'm at it.
I discuss the 5 Pillars of Reference Playback that are required for Audyssey, and all other Room Correction algorithms.
I have a look at the ToneWinner AT-300, with a particular interest in its Auto-EQ and calibration functions...